I’m running for Congress

October 26, 2011

I announced that I am seeking the Democratic nomination to represent my home district of NY-6 (southeast Queens) in the United States House of Representatives.  My message is that we need to focus on the needs of everyday Americans.

With over 8% of Americans unemployed, now is the time to demand stronger leadership. Strengthening essential programs on which everyday Americans rely, investing in our infrastructure, and improving our educational system must be prioritized over needless wars and tax spending on the wealthy. To put it simply, President Obama needs more support from his own party to enact the changes promised by his election.

I hope you will join the campaign at www.scalaforcongress.com.


Cuomo rally in Brooklyn + meeting President Clinton

October 27, 2010

I attended the Andrew Cuomo/Bill Clinton rally in Brooklyn earlier today and got a chance to meet the president.  It was a humbling experience to say the least.  Although there were Secret Service agents present, nobody was searched.  The man has an outstanding connection with the public:  a decade after leaving office he is as admired and relevant as ever.  Being part of that energy today helped restore my faith in the future, and I see that same potential in Mr. Cuomo to bring people together instead of appealing to their fears.

Please don’t forget to vote on November 2.


Thoughts on the so-called “Ground Zero Mosque”

August 11, 2010

As you may know, I’m a New Yorker.  My current office is located near the intersection of Broadway and Wall Street in lower Manhattan:  about three blocks from Ground Zero.  This afternoon, I found myself at the Halal food cart on Broadway and Liberty Street: one block from Ground Zero.  As seen outside the proposed Islamic community center several blocks away, a crowd of people stood by the cart.  They were not, however, protesting the presence of an Islamic establishment in the area. Like me, they were standing in line for lunch.

I believe that many of those who oppose the Cordoba House — which will be neither a mosque nor located at Ground Zero — do not realize that New York is a very diverse place.  I’m hearing rhetoric from politicians, particularly in other states, framing this as an “us versus them” issue.  “THEY” want to do this on “OUR” sacred ground.  The problem with that statement is they are us.  If it’s sacred ground, it’s also sacred to those of us who happen to be Muslim.  In fact, the center will include a memorial to those who lost their lives in the attacks.  As Mayor Bloomberg and others have eloquently stated, Muslim New Yorkers were among the victims of 9/11.  We were told that the terrorists were jealous of our liberties.  How can anyone in good conscience suggest responding to that terrorism by restricting our own citizens’ liberties?  The government discriminating against Americans on the basis of religion would be an obvious constitutional violation, and I’m not one to believe we should surrender our fundamental rights — for any reason, but especially not out of fear.

Then there are those who acknowledge that the legal right exists, but still ask the question “Why there?”  To ask this question is to implicitly demonize the entire Muslim faith.  Some are comparing 9/11 to the Holocaust.  Would opponents of the Cordoba House question a German structure near the site of a concentration camp?  Probably not, because most people realize not all Germans are Nazis.  There was recently a story in the news about a black man who shot white co-workers over alleged racism.  If someone wanted to build an African American heritage museum a few blocks away, would many people say, “They can have their museum, but why does it have to be there?”  I’d sure hope not.  People claiming to be offended by a “mosque” near Ground Zero should honestly ask themselves whether they would not also be offended by the sight of a mosque anywhere else in the world.

To be certain, 9/11 deservedly provokes a strong emotional reaction, but that does not excuse ditching rational thought as some have suggested.  We have history to learn from.  After the attack on Pearl Harbor, Japanese Americans were forced into internment camps and otherwise mistreated in their own country.  Let’s not repeat that mistake.  This is a civil rights issue:  we must not discriminate against anyone for looking different or following a different religion.  Now is not the time to placate our enemies by abandoning our principles as a nation.  Now is the time to celebrate our diversity.  Now is the time to march to Liberty Street and order the lamb and rice with hot sauce.

I hope you will join me in my support of the Cordoba House.


How far is a rapper allowed to go?

June 8, 2010

In the new EJ song “What’s Real (Fake to the Grave)” he raps:

“You’re only real if you’re a thug or locked down in jail
Don’t even try to be some Ivy League from Brown or Yale
You gotta be out to fail, or it’s ‘Oh, you’re too good for us
‘Got a little Hollywood, bruh – forgot where your hood was’”

I’m discovering first hand that this attitude dominates the perception of the majority.  I may not be Ivy League, but I’m trying to achieve some great things outside of music.  The overwhelming response I’m getting from people is that my Hip Hop “credentials” will suffer as a result.  Many have gone so far as to assume that my involvement in other areas amounts to abandoning Hip Hop altogether.  This is not the reaction of the Hip Hop community.  The Hip Hop community has been supportive of all my endeavors.  This is the reaction of mostly well-meaning people who mistakenly believe that Hip Hop only validates underachievers.  This misguided belief causes the masses to foster that mentality and only reward modest ambition.  Rapping and starting a clothing line is cool.  Rapping and selling vodka is cool.  Rapping and defending civil liberties?  That’s going too far.

A friend of mine suggested that most people only see Hip Hop as music, and therefore don’t appreciate the significance of an MC getting involved with civil rights.  But if it was only about music, no one would be hostile towards my ambition.  What irks me and what makes this impossible for me to ignore (some would advise to simply fight ignorance with ignorance) is that I believe this is much deeper than music.  People often ask me, “Aren’t you worried about your street cred?” and I hear:  Shouldn’t you be trying to act more black?

Now, I’m not accusing everyone of being racist.  When people say, “I like my rappers black, and if they’re not selling crack they aren’t black enough for me” — and people do say things like that – that’s very obvious and direct racism.  But the majority seems to be more subtle.  At this point, most people don’t demand that every rapper exclusively promote negativity.  I am observing, however, that most people are hesitant to accept too much good will from a rapper.  It’s as if they’re conditioned to look down on Hip Hop, and a rapper achieving too much distorts their image of what they believe Hip Hop is supposed to be.  So instead of broadening their view, their gut reaction is to convince themselves that person doesn’t fit in.  I believe this is the result of corporations deliberately pushing a certain kind of rap music to the masses:  the kind that reinforces negative stereotypes.  Maybe the decline in rap’s popularity can be partially attributed to blacks no longer being the most hated group in America.  Perhaps labels should start marketing Arabic music about making bombs or Spanish music about climbing fences (but only in English, of course).

If I’m approaching this the wrong way, let me know.  I just feel that’s the most logical interpretation of the “street cred” question, especially when I’ve simultaneously been complimented on how surprisingly articulate I was.  In 2010, what does “street cred” even mean?  The reality is that every rapper today uses Twitter and most of them wear women’s jeans.  Hip Hop is almost embarrassingly soft nowadays and people still talk about it like NWA is running things.  The most popular mainstream rappers are currently a Canadian former child star and the son of an English professor.  Do they have more credibility in the streets than me?  My father dropped out of school and died broke, and my mother has a high school diploma.  I come from nothing, and I’m making something of myself.  That’s what the true spirit of Hip Hop is.  This is not to discredit the artists I mentioned, or any others.  This is simply to illustrate that the whole notion of “street cred” is ridiculous, especially in the way it tends to be invoked by outsiders.

I understand that whenever you do something that isn’t often done, people get uneasy.  And maybe it’s about class as much as it’s about race.  Either way, the widespread idea that someone who comes from the streets loses credibility for trying to rise too far above that level is not something to take lightly.  That’s the exact mentality that suppresses upward mobility in our society and keeps people in the streets.  That’s also the very reason I’m getting involved with civil rights and making strides beyond music.  I’m going to show the world by example that a rapper from the hood can prosper in all facets of life, and I’m going to help others reach those heights.

And I’ll still have the hottest album out.


Poker night in Brooklyn

June 1, 2010

The flop is Q♦, 7♥, 10♥.
I-Dog bets $100. Timid calls.
The turn is 8♠.
I-Dog bets $20. Timid calls.
The river is 10♦.
I-Dog bets $125. Timid calls.

There is $530 in the pot (blinds are $10/20). How will it play out? Commentary by Pizon.


Walking to Brooklyn (no cheesecake)

April 24, 2010

2010 and the Skee Ball Theory

December 31, 2009

So, it’s December 31, 2009.  The last day of the 00s.  My intention was to drop in with some yearly highlights from my career, which has existed entirely in the noughties:  In 2000, I recorded my first single and sold more copies on cassette than CD.  In 2001, I put my first full-length release together.  In 2002, I performed my first live show and put my first solo project out.  In 2003, I got played on the radio for the first time and started getting paid for shows.  In 2004, I began co-hosting my own radio show and making real industry connects.  In 2005, I performed in more states and got serious about completing my full-length solo debut.  In 2006, I first performed at the New York City Marathon, appeared on MTV, and put my album out and performed my favorite concert to date on the same night.  In 2007, I signed with my favorite record label growing up (who re-released the album I recorded and previously put out myself on a much larger scale), hosted my own TV show, and appeared in XXL Magazine.  In 2008, I shot my first music video complete with actors and extras, dropped a single that charted with mainstream radio and club spins, and performed at the biggest New Year’s show in Los Angeles alongside DJ AM and Travis Barker with Dr. Dre and other legends in the audience.  In 2009, I saw my next single outperform Keri Hilson and other artists with huge budgets on sites like Vlad TV, and released Family Business which is definitively the best project I’ve ever worked on.  (Get the album from iTunes now if you don’t already have it.)

Looking back, this condensed timeline proves that a decade of dedication will get you places.  I know I’ve achieved more than most artists ever will for the sole reason that I’ve worked so hard.  It does not, however, do the past 10 years justice.  Much more happened than I could enumerate in one sitting, and honestly I almost feel this makes it all seem too glamorous:  persisting in spite of endless sacrifices, lost sleep/friends/weight, frustration, roadblocks, and heartbreak is more noteworthy than any symbolic milestone.  Therefore, I don’t want this writing to be a pat on the back for select accomplishments of the past.  They call it New Year’s Eve for a reason.  A friend of mine astutely pointed out on Facebook yesterday that there is always utility in reflection.  But right now, I’d like to look to the future.

In 2010 and beyond, I want to focus my efforts on making a lasting impression on this world.  If that sounds vague, it’s because it is.  I believe I was blessed with the ability to contribute to society in many ways, and I plan on living up to my full potential.  I want to do things that have never been done before.  When I say that, I don’t mean it in the cliché Hip Hop way, which for some reason seems to mean doing things that have been done a million times before.  I really want to push the boundaries.  Earlier this year, I ripped up a scholarship offer from a law school on stage.  It was all part of the show, and those in attendance saw it in the context of the story being told.  The next day, I explained the significance of the gesture was that I would not sell myself short and I was holding out for the undeniable offer.  I got it from a better school, and decided to take it.  If you know of another established Hip Hop act (meaning an artist with solo releases on a reputable label) who’s becoming a lawyer, let me know.  I just finished my first semester, and it’s been one of the most rewarding experiences of my life.  I would like to run for public office someday.  I plan to have a book called Seventeen Bars published soon.  The way I see it, being ambitious is the epitome of being Hip Hop.  Neither of my parents went to college, and I’ve come this far.  If it’s cool to rap and start a clothing line, it should be cool to rap and fight for people’s rights.

Musically, I have 80% of the next Pizon album written.  The beats are done and most of the lyrics are already in my head.  It’s called Honest Conversation, and it’s unabashedly different but nonetheless palatable.  I’m challenging myself to make not only the best album I’ve ever made, but the best album anyone is making in music.  It will either win the Grammy, or you’ll be mad that it didn’t.  And I’m dead serious about that, so I reserve the right to take my time with it.  I would not be surprised if the album goes through a thousand revisions before I’m satisfied with it.  I’m also toying with the idea of releasing a side project called No More Mr. Nice Pi for promo.  My aim is not to become rich and famous but to create quality music that’s truly representative of someone with as much to say as me.  I only participate in the industry because I want to make sure my work reaches people.  I feel like everything I’ve done these past 10 years was the groundwork for what I’m about to do now.  I’ve matured artistically, and gained the experience necessary to make a serious impact.  As you probably know, the tried and true methods of the music business are now failing and people are being forced to reinvent the wheel.  One of the primary challenges of the new decade will be figuring out how to navigate this jacked up road.

We just need to be daring enough to try new approaches.

My theory is that life is like a game of Skee Ball.  The easiest way to earn points is to try to land perfectly inside the box, in the most centered and unassuming pocket on the board.  Movements in any other direction — whether stronger or weaker — are penalized.  If you’re shooting for the box, you’d better land safely in the middle.  It’s a strategy that rewards steady mediocrity.  But the truly great players avoid the box altogether.  It may be harder to hit and it comes with greater risk, but the most points are scored by hitting that pocket all the way out in left field.  The one that most players don’t even shoot for, because they fear they’ll miss and get no points at all.

Now, more than ever before, my mission in life is to hit that left field pocket.  Win, lose, or draw, I hereby refuse to put myself in a box — and starting in the new year I encourage all of you to do the same.

Welcome to the future.
Mike “Pizon” Scala


Inflammatory message I just received

October 14, 2009

From: susie223 [YouTube]
Subject: DJ AM GOOD RIDDANCE!!!!!

I HOPE HE ROTS IN HELL..FAKE PIECE OF SHIT…DOING A SHOW TO ‘HELP’ ADDICTS, ONLY TO GET TV FAME FOR HIMSELF….GLAD TO BE RID OF HIM…LOSER DRUGGIE..I WISH HIM ETERNAL SUFFERING IN HELL! HEHHEE! HEHEE! WORM FOOD..HEHEEE

Now, I relay this message not to express shock and outrage at the fact someone sent me a hateful email.  I’ve been in the music business for 10 years.  It happens.  On some level, I’m giving Susie exactly what she wants by shining a light on her.  She’s seeking a reaction from me based on my loose association with DJ AM.  She really just craves attention, and I get that.  But I actually said “damn” aloud when I read this one on my BlackBerry a few minutes ago.  What’s unsettling to me is this prevailing attitude that individuals who make mistakes in their personal lives are inherently “bad” people.  I’m really trying to understand why this viewpoint seems to dominate our culture.  Is it because people feel better about themselves when they project their own shortcomings onto others?  It all just reeks of insecurity to me.  I know I’m not perfect, so the last thing I would do is judge someone else.  Who the hell am I to condemn another human being?  Wishing suffering upon someone somehow doesn’t seem more noble to me than giving into temptation.  In my limited time hanging out with Adam and chatting with him online, my impression was that he was a generally good person who made some bad choices.  Honestly, who hasn’t?  Before you point your finger at someone else, I really think you need to take a look in the mirror and ask yourself what your own contribution to the world is.

I realize I run the risk of sounding just as preachy as Susie here.  I guess I’m just perplexed by the whole idea that people believe they can objectively determine the relative worth of another person, and even find joy in the knowledge that someone else has self-destructed.  If the goal is better humanity, is that really the appropriate means by which to achieve it?  Maybe someone can offer some insight.


Just felt like hearing this today

July 3, 2009

Scrabble Challenge: Pizon vs. Rhymefest

June 14, 2009

FINAL SCORE
Pizon 248 – Rhymefest 266

Word List

Pizon – TIN – 6 pts
Rhymefest – MUG – 18 pts
Pizon – HUN – 14 pts
Rhymefest – MILDER – 10 pts
Pizon – BROAD – 18 pts
Rhymefest – FAZE – 30 pts
Pizon – QUEST – 31 pts
Rhymefest – NOG – 13 pts
Pizon – WEAVE – 18 pts
Rhymefest – QUA – 12 pts
Pizon – BEET – 18 pts
Rhymefest – LION – 16 pts
Pizon – LAY – 12 pts
Rhymefest – BY - 16 pts
Pizon – SIDE – 7 pts
Rhymefest – YE – 19 pts
Pizon – FIRED - 10 pts
Rhymefest – CLONED – 27 pts
Pizon – JIN – 18 pts
Rhymefest – AXE – 12 pts
Pizon – VIA – 14 pts
Rhymefest – FANG – 15 pts
Pizon – COLA – 12 pts
Rhymefest – RIOT – 9 pts
Pizon – AQUA – 13 pts
Rhymefest – POW – 16 pts
Pizon – EERIE – 10 pts
Rhymefest – PED – 18 pts
Pizon – STATE - 13 pts
Rhymefest – RANKS – 18 pts
Pizon – MENDS – 16 pts
Rhymefest – TRIM – 8 pts
Pizon – TING – 11 pts
Rhymefest – RUT – 3 pts
Pizon – OPED – 8 pts
Rhymefest – HI – 5 pts


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